One production at a time? Don’t be silly. I am cast as Helga ten Dorp in Ira Levin’s Deathtrap, directed by my brilliant friend Julian Batstone. I’m also production manager and publicity and promotion.
Well, I like to be busy.
So I’ll be flouncing around trying to perfect an understandable Dutch accent as an eccentric (but hopefully not over the top) psychic. Those two last parts will be so far from the truth of course, as I keep being reminded by friends…
This has a stunning cast: Guy Steddon and Jake Marchant in the two lead roles, plus Anna Quick and John Garland – book your tickets early, this will be popular! Link here
It’s been an amazing journey in support of this fabulous production. I have some really good friends in the cast, among them Phil Nair-Brown playing the Creature, and Sam Razavi playing Victor Frankenstein. These actors are incredible professional actors, super talented, and also super lovely humans. Their scenes together are electric – they positively sizzle.
So if you’ve seen any publicity on Facebook, Twitter or Instagram, that will be my doing. Or press, for example this lovely article across the Worthing Herald Group of newspapers thanks to Phil Hewitt: click here. Or if you see the show and like the programme, thank you very much!
I’ve also been part of creating the lighting for the show, and I will be running lights (and there are a lot of changes) during the show. I don’t expect you to notice necessarily unless you are involved with theatre yourself – it’s there to add ambiance, to improve your theatrical experience – so people usually only notce if it’s wrong or jarring! Which is the same for sound of course. It’s been full on, lighting tech until 1.25 in the morning, then back in the Theatre 2 days later as there seemed to be issues (which it turned out there wasn’t) but changes and tweaks were requested: another 3 hours. It’s all worth it if it looks amazing, and it does.
And working with some brilliant friends while you do all this? Priceless. Absolutely priceless.
A sneak preview to one of the lighting states, and my desk for the week: the view from the lighting box
